Fujifilm Fujinon XF 16-55mm f/2. 8 Ur LM WR assessment

Fujifilm Fujinon XF 16-55mm f/2. 8 Ur LM WR assessment – Introduction

The most popular lenses between DSLR photographers could be the 24-70mm f/2. 8. It’s a lens praised for the versatility because fast aperture along with useful focal range, and these attributes allow it to be a decent tool for everything from portraits to landscapes.

The new Fujinon XF 16-55mm f/2. 8 Ur LM WR fulfils this specific role for Fujifilm X users, boasting consistent f/2. 8 highest aperture throughout its 24-84mm (equivalent) zoom lens range. This directly matches the ever-popular 24-70mm, although just outdoing it for the long end.

Fujifilm Fujinon XF 16-55mm f/2. 8 Ur LM WR assessment – Features

A complete of 17 aspects in 12 groups are used to construct this specific lens, including a few aspherical elements designed, says Fuji, to control pincushion and barrel distortion. Three additional ED glass lenses are included to reduce lateral and axial chromatic aberration.

An improvement of the inside focusing system on this lens is that it doesn’t rotate the front element. This causes it to be much more user-friendly when using filters such since ND grads or perhaps polarisers. The lens accepts widely available 77mm filters. Nine rounded aperture blades make-up the iris diaphragm.

An f/2. 8 aperture combined with an APS-C-sized sensor will make a depth of field similar to f/4. 5 on the full-frame camera. That is why, the extended focal duration of this lens (when when compared with a full-frame 24-70mm lens) is quite useful, giving increased background blur and also a very flattering focal time-span for subjects such as portraiture. When used open, this lens presents beautiful rounded bokeh and also a generally pleasing look for out-of-focus backgrounds.

Provided with the lens is often a petal-shape lens hood that helps to reduce flare along with increase contrast. The particular lens features Fuji’s Nano-GI along with Super EBC Films, which do an amazing job of scaling down flare. I found any time shooting with direct sunlight in the top corner of the frame, I was still in a position to retain a good amount of contrast with just a minute amount associated with lens flare obvious.

It’s also worth noting that this Fuji 16-55mm lens doesn’t feature just about any optical stabilisation, because the company felt that adding it will compromise the optical quality of the lens. While this is true, other companies have were able to achieve fast zoom lens lenses with stabilisation that are optically very good – as an example, Samsung’s 16-50mm f/2-2. 8 S ED OIS for the NX series associated with mirrorless cameras.

Assumed Nikon 1 J5 mirrorless specifications before announcement

Amateur photography - Not very much is really known regarding the Nikon 1 J5 mirrorless digicam, although there have been 1 or 2 rumors. The latest could have us believe that its announcement could come as early as April 2nd, which can be next Thursday, although its relieve date might come slightly later than that.

Ahead of that assumed announcement in the near future we thought we would have a little recap on the we believe the particular Nikon 1 J5 specs may be, and they do are most often rather impressive.

What we could expect – 4K video is usually a must, while there was confusion to the sensor, as we could either see 20. 8-megapixel or perhaps 28MP. A touchscreen display can be an almost certainty, as is built-in Wi-fi and NFC for improved connectivity.

Looking over those specs we assume that a 20. 8-megapixel is more plausible also it a slightly greater jump than the predecessor the Nikon 1 J4, which was only 18MP. You might wonder how you have such low megapixels with a 4K camera, but you can still do this with much decrease pixels.

This is approximately we can inform you for now, but we can keep you informed, and hope make fish an announcement will take place in the beginning of next month.

Review: Olympus OM-D E-M5 Mark II

Review: Olympus OM-D E-M5 Mark II

Amateur Photography - Olympus OM-D E-M5 Mark II Reviews, Among a season of good cameras last year from Sony, Samsung and Fujifilm was Olympus’ OM-D E-M5 Mark II. This is one micro four-thirds mirrorless camera can shoot images at a resolution of up to 40 megapixels.

And unlike the updated models from rivals, Olympus took its original E-M5 and redesigned it completely. On the top plate now, you get a new lock for whatever mode you are shooting in.

It is a switchable lock so those prefer to change settings quickly won’t feel hindered while those who want to be a bit more careful can lock the dial during transit.

The new Mark II camera also has more custom functions and shortcut buttons that make it feel like a professional camera, rather than just one for the enthusiast.

The improvements are not only skin deep. The E-M5 Mark II has 81 auto-focusing points, up from the previous 35. It also boasts a new five-axis sensor-shift image stabilisation system, as well a new Hi Res Mode.

When I tried it out, the camera generally performed well in most circumstances, at least those that I think a typical shooter would be used in. The focusing snaps to attention and the colour reproduction is very punchy.

Speaking of Hi Res Mode, Olympus has an out-of-the-box answer to the super high pixel counts from digital SLR rivals such as the Nikon D810’s 36 megapixels and the upcoming Canon 5DS’ whopping 50 megapixels.

It has managed to use its 16-megapixel sensor and to produce eight slightly different shots of a scene and combine them into a single image. The good news is that the Hi Res Mode works. Bad news is, the subject and camera have to be absolutely still.

The RAW processing for the high resolution images takes a toll on both the camera and computer. For the camera, you can expect battery power to be used up faster, which was the case when I tested the Hi Res mode recently.

For every shot, it requires about half a minute for the picture to be taken and saved into the memory card. That’s not counting the time to set up the tripod to ensure the camera doesn’t move too.

To convert the RAW file, I have to download a plug-in for Photoshop and import it into the program. This may be a bit too troublesome for many users.

For those who have big hands or appreciate having a more secure grip, having the external grip will cause the camera to be taller by an inch but it will greatly enhance stability while taking photos. If you are using the Hi Res mode, do consider getting the battery pack as well.

And the new Olympus offering may also be a bit too expensive of an upgrade for existing E-M5 users. Sure, the Hi Res mode is a unique feature for such a small-sensor camera, but it has some serious practical issues.

You won’t need all the megapixel count unless you are printing big. And you can only use it if the camera and subject both keep still.