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3/25/2015

Nikon D31000

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Amateur Photography - Nikon D31000, There's no doubt that the D3100 is one of the best entry-level SLRs available, offering very good image quality coupled with speedy operation and straightforward handling.
Nikon D31000
Nikon D31000

Reasons to buy Nikon D31000


    Very good image quality
    Beginner friendly interface, but with plenty of manual control
    Highly sophisticated AF system for the price
    Easily accessible and fast Live View mode and Movie controls
    Lots of in-camera Raw conversion and post-processing options

Things to consider Nikon D31000


    AF still a little sluggish in Live View mode
    Slight tendency to overexpose in contrasty conditions
    Will not AF all Nikon lenses (though most popular ones will work)
    White balance often excessively orange under artificial light
    Auto ISO logic is not well-suited for everyday casual shooting

Nikon D31000 Suggested for

First time DSLR users who want a camera that will encourage them to make the most of its capabilities.

Nikon D31000 Not suggested for

People wanting a camera that behaves just like their existing compact. Users for whom compactness is a priority.

Nikon D31000 Conclusion

With the addition of video and live view, Nikon has given its entry-level DSLR all the features its predecessor seemed to be missing. The result is an excellent beginner's camera that encourages the user to grow into it, whatever their existing level of knowledge. However, it's not alone in offering this and, though it's a great DSLR, there are plenty of equally attractive mirrorless alternatives.

Nikon D31000, I very much appreciate the relatively low cost and the available lenses for digital Nikons, I must admit to carrying around a point and shoot most of the time and using this Nikon mostly with a tripod less often. I have become a snapshot taker for most times.

3/24/2015

Canon EOS M3 review

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Canon overhauls its compact system camera with a much faster AF system - the EOS M3 is super quick

Amateur Photography - Canon hasn’t exactly made waves in the compact system camera market, not having released anything in Europe since the original EOS M in 2012. The M2 was limited to Japan too, meaning there was nothing outside of the company’s DSLR range in terms of interchangeable lenses. That changed earlier this month when Canon revealed the EOS M3, a major upgrade over the original model.

The EOS M's major undoing was its woeful AF performance, but Canon says the M3 is up to six times faster. It was certainly rapid during our hands-on time with the camera at the Photography Show in Birmingham this weekend, locking and re-locking focus with the speed we would expect from a high-end CSC. With that concern out of the way, we can move onto more headline-worthy specs: inside the camera a 24-megapixel APS-C sensor is capable of ISO 100-12,800 shooting, extendable to ISO 25,600, while the Hybrid CMOS III autofocus system provides 49 AF points across a 384-zone metering system.

That's essentially on par with some of Canon's entry-level digital SLRs, and the refined design means controls and usability give the larger cameras a run for their money too. A chunky grip on one side gives you something to hold onto firmly while still putting the important controls within easy reach. A command dial, dual control dials, and a touchscreen mean all the important settings are easily accessed. It feels like a premium product too, with none of the cheap plastics we remember from the original EOS M.

There's no electronic viewfinder, which may disappoint some. The way you hold the camera made us raise it to our eye on more than one occasion, so an optional external EVF may be a must-have addition for enthusiast photographers. You can also use the standard hot shoe mount to add a more powerful flash if the built-in one isn't strong enough. It can be tilted, however, to bounce light when shooting indoors.

The 3in display tilts both upwards and downwards, for up to 180-degree shooting - essentially the ideal selfie situation. It's an unavoidable fact of life that manufacturers have to add these modes in order to appeal to the smartphone crowd, but they can at least prove useful for creative shooting if the idea of selfies sends you batty.

Despite the compact dimensions, Canon has still found room for integrated Wi-Fi and NFC for quick smartphone pairing. The companion app lets you transfer photos from camera to phone, upload directly to social networks, or control the shutter remotely.

n addition to compatibility with the 11-22mm f/4-5.6, 18-55mm f/3.5-5.6, 55-200mm f.4.5-6.3 and 22mm f/2 prime EF-M lenses, Canon expects a significant number of users to invest in an EF adapter and use their existing EF lenses. That would certainly give it an advantage over the likes of Sony, Fuji and Samsung in terms of lens variety, particularly if you’re already invested in the Canon ecosystem.

Video isn't exactly the focus for the M3, but support is still fairly reasonable, with touch AF support for quick, quiet refocusing and Full HD video recording at up to 30fps.

The EOS M3 is a revelation compared to the original EOS M. Canon has clearly focused on what the EOS M struggled with and the result is a much more user-friendly camera. It feels very similar to some of Canon's premium compacts, but the addition of interchangeable lenses could be a turning point for customers. We'll have to wait to see final image quality samples and deliver a final verdict, but we're excited to put it up against the Micro Four Thirds and CSC competition.

Canon customers that are eager for a competent CSC won’t have long to wait; the EOS M3 will be arriving in the UK from April with a bundled 18-55mm kit lens, with prices expected to start around £650. We’ll be taking a closer look in order to bring you a full review nearer the official launch.

Panasonic Lumix GF7 review

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Panasonic's tiny GF7 interchangeable lens compact squeezes in a surprising number of features

Amateur Photography - The Lumix GF camera range was once the starting point for interchangeable lens compacts, but now that Panasonic has the tiny Lumix GM1 there were few reasons to step up to the almost two-year-old Lumix GF6. That changed in January when the company introduced the GF7, a successor with a smaller body and selfie-friendly flip-up touchscreen display.

The GF7 is available to buy now, but seeing as we hadn't actually put one through its paces yet, we made sure to take a look when visiting the Panasonic stand at this year's Photography Show in Birmingham, in order to get some first impressions.

Looking at the GF7 side-by-side with the GF6 shows just how far the range has come in a single generation. The GF7 borrows more styling from the GM1 and enthusiast-level Lumix GX7 than it does from GF models gone by, with retro-inspired looks, silver metal trim and a choice of colours. It's also a lot smaller; you'll still struggle to squeeze it into a pocket, even with the 12-32mm kit lens locked in its travel position, but it doesn't weigh very much and won't weigh down your camera bag.

The mixture of metals and plastics are a clear indicator that Panasonic has built this camera to meet a specific price, but it doesn't feel cheap. You still get a built-in flash, and the lack of buttons on the back of the body aren't really an issue on account of the wonderful 3in touchscreen display. It is clear, responsive and, of course, able to flip up 180-degrees for those all important selfies. You can't flip it down or to the side, however, which may limit your creativity when it comes to more extreme angles. Naturally there's no EVF, given the size of the camera.

Panasonic hasn't skimped in terms of connectivity, with both Wi-Fi and NFC for quickly pairing a smartphone. We've used Panasonic's Image Ap frequently in the past and it works just as well here, letting you download photos wirelessly to your phone or control the camera remotely. There's no GPS built into the camera, but you can geotag your photos using your phone instead.

A pop-out flash is a welcome addition for low light shooting, but there's no hot shoe for adding a more powerful flash at a later date.

Underneath all the connectivity and features, the GF7 is still a very competent CSC. A 16-megapixel Micro Four Thirds sensor, Venus image processor, 200-25600 ISO range and 23-AF points are essentially a match for the rest of Panasonic's Four Thirds cameras, so image quality should be on par with the likes of the GF6 and GM1 (depending on which lens you opt for).

Unsurprisingly there's a fully automatic mode on the mode dial, as Panasonic is aiming the GF7 at photographers making the leap from a fixed lens compact. There are several fun modes and effects too, but more advanced users will appreciate ASM modes and full control over ISO, shutter, aperture and other settings.

The Lumix GF7 is available to buy now for around £429, putting it in direct competition with the Samsung NX Mini, Olympus Pen E-PL7 and Sony's A5100. We'll have to wait until we give it the full review treatment to see how well it stacks up to its rivals, but based on a short play with it at the Photography Show it certainly has potential, particularly if you're after a very compact CSC that's designed with amateurs as well as enthusiasts in mind.