50mm Photography Tips - 5 Tips for Noobs On How to Make the Most of Your New 50mm Lens

You’re past the kit lens and now you’ve got your hands on one of the most valued pieces of glass any photographer will ever want or have–the 50mm lens. On an APS-C sensor camera, you’ll get the equivalent of a portrait focal length; that is unless you go for something that will give the field of view of a 50mm instead. On a full frame camera, you’re bound to take full advantage of the 50mm field of view in all its glory.

But now that you have the lens, how the heck do you take advantage of it?

Read more at http://www.thephoblographer.com/2013/09/24/5-tips-for-noobs-on-how-to-make-the-most-of-your-new-50mm-lens/

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Tips For Fashion Photography - 15 Tips On How To Break Into Fashion Photography

Fashion and fine art photographer Zhang Jingna has previously written immensely popular articles about commercial shoots, personal projects and on how to improve your photography. This time she will share 15 tips on how to break into fashion photography. Here is how to make it, in Jingna’s own words.

In my last three articles, I talked about producing commercial and personal photoshoots, and tips on how to improve one’s photography. In this guide, I will share my thoughts on how to break into fashion photography.

Fashion photography is a highly exclusive and competitive industry. Getting in requires dedication, commitment, hard work, and often times, a dash of good luck and timing. There is no great secret or shortcut, it is going to be a tough journey, and you must be prepared for the long-haul.

see more at - http://www.profoto.com/blog/fashion-photography-2/how-to-make-it-as-a-fashion-photographer/

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Point And Shoot Photography Tips - 10 Tips for When a Point and Shoot is Your Only Camera

This is the final tutorial in Andrea Riley’s photography series on getting the most out of your point and shoot camera. You can read the first two tutorials in her series here:

For the first time since I got into photography, I went on a mini vacation without my dSLR.  Last year, we went to Disney, and I only used my point & shoot at the amusement park.  For the rest of the attractions, my dSLR was my camera of choice.   My main reason for leaving my dSLR at home for this year’s vacation was to help remind myself of what situations are very difficult to photograph with a point & shoot and try to determine ways to get around those obstacles. Here are some tips I’ve found helpful for using a point & shoot for the different lighting situations I encountered on our vacation.

See more at - http://www.iheartfaces.com/2013/07/10-tips-for-when-a-point-and-shoot-is-your-only-camera/

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