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Showing posts with label assessment. Show all posts
Showing posts with label assessment. Show all posts


Fujifilm Fujinon XF 16-55mm f/2. 8 Ur LM WR assessment

Fujifilm Fujinon XF 16-55mm f/2. 8 Ur LM WR assessment – Introduction

The most popular lenses between DSLR photographers could be the 24-70mm f/2. 8. It’s a lens praised for the versatility because fast aperture along with useful focal range, and these attributes allow it to be a decent tool for everything from portraits to landscapes.
The new Fujinon XF 16-55mm f/2. 8 Ur LM WR fulfils this specific role for Fujifilm X users, boasting consistent f/2. 8 highest aperture throughout its 24-84mm (equivalent) zoom lens range. This directly matches the ever-popular 24-70mm, although just outdoing it for the long end.

Fujifilm Fujinon XF 16-55mm f/2. 8 Ur LM WR assessment – Features

A complete of 17 aspects in 12 groups are used to construct this specific lens, including a few aspherical elements designed, says Fuji, to control pincushion and barrel distortion. Three additional ED glass lenses are included to reduce lateral and axial chromatic aberration.

An improvement of the inside focusing system on this lens is that it doesn’t rotate the front element. This causes it to be much more user-friendly when using filters such since ND grads or perhaps polarisers. The lens accepts widely available 77mm filters. Nine rounded aperture blades make-up the iris diaphragm.

An f/2. 8 aperture combined with an APS-C-sized sensor will make a depth of field similar to f/4. 5 on the full-frame camera. That is why, the extended focal duration of this lens (when when compared with a full-frame 24-70mm lens) is quite useful, giving increased background blur and also a very flattering focal time-span for subjects such as portraiture. When used open, this lens presents beautiful rounded bokeh and also a generally pleasing look for out-of-focus backgrounds.

Provided with the lens is often a petal-shape lens hood that helps to reduce flare along with increase contrast. The particular lens features Fuji’s Nano-GI along with Super EBC Films, which do an amazing job of scaling down flare. I found any time shooting with direct sunlight in the top corner of the frame, I was still in a position to retain a good amount of contrast with just a minute amount associated with lens flare obvious.

It’s also worth noting that this Fuji 16-55mm lens doesn’t feature just about any optical stabilisation, because the company felt that adding it will compromise the optical quality of the lens. While this is true, other companies have were able to achieve fast zoom lens lenses with stabilisation that are optically very good – as an example, Samsung’s 16-50mm f/2-2. 8 S ED OIS for the NX series associated with mirrorless cameras.